The Paradox of Existence: Philosophy and Aesthetics in the by Leonardo V. Distaso

By Leonardo V. Distaso

This booklet isn't a purely old reconstruction of Schelling’s inspiration; its major target is to supply a contribution for a greater comprehension of the significance of the philosophical quest of the younger German thinker from inside, which represents a turning aspect for the full considered modernity. i didn't describe some of the fields of Schelling’s paintings, yet I mentioned the vital place of his Aesthetics, during the research of the internal mechanisms of his techniques. This mechanism, in my view, exhibits the explanation why a classy philosophy is feasible, and why its beginning might be traced to Kant’s Aesthetics (particularly in Kant’s Critique of Judgement) and within the speculations of the early post-Kantian philosophy. The younger Schelling’s philosophical difficulties precede his stumble upon with Fichte’s philosophy. Schelling discovers those difficulties, relating to Plato, Aristotle, Spinoza, Wolff, Leibniz and Kant, within the protestant collage of the Stift in Tübingen. Fichte proven the need of an pressing reform of transcendental philosophy, and provided to the younger thinker a philosophical dictionary and an orientation. Schelling exploited those assets with an outstanding measure of autonomy, independence and originality. In those years Hölderlin’s impact on Schelling was once a lot higher. Schelling’s and Hölderlin’s speculations, in those the most important years, have been tightly connected.

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