By George Cusack
This learn examines the early dramatic works of Yeats, Synge, and Gregory within the context of past due colonial Ireland’s specified socio-political panorama. by means of contextualizing every one author’s paintings in the inventive and political discourses in their time, Cusack demonstrates the advanced negotiation of nationalism, classification, and gender identities undertaken by means of those 3 authors within the years best as much as Ireland’s revolution opposed to England. in addition, through concentrating on performs written by means of every one writer within the context of the continued debates over Irish nationwide identification that have been occurring all through Irish public lifestyles during this interval, Cusack examines in additional intensity than past experiences the methods Yeats, Gregory, and Synge tailored traditional dramatic and linguistic varieties to deal with the conflicting claims of Irish nationalism. In so doing, he demonstrates the contribution those authors made not just to the advance of Irish nationalism but additionally to trendy and postcolonial literature as we comprehend them today.
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Extra resources for The Politics of Identity in Irish Drama: W.B. Yeats, Augusta Gregory and J.M. Synge (Literary Criticism and Cultural Theory)