The sonic has come to occupy middle level within the arts and arts. within the age of computational media, sound and its subcultures can supply extra dynamic methods of accounting for our bodies, hobbies, and occasions. In The Rhythmic Event, Eleni Ikoniadou explores strains and possibilities brought on by way of the sonic yet resulting in contingent and unknowable forces outdoor the outer edge of sound. She investigates the ways that fresh electronic artwork experiments that usually have interaction with the digital dimensions of sound recommend trade modes of notion, temporality, and adventure. Ikoniadou attracts on media conception, electronic paintings, and philosophical and technoscientific principles to paintings towards the articulation of a media philosophy that rethinks the media occasion as summary and affective. The Rhythmic occasion seeks to outline the electronic media paintings as an assemblage of sensations that outlive the gap, time, and our bodies that represent and event it. Ikoniadou proposes that the inspiration of rhythm--detached, besides the fact that, from the assumption of counting and regularity -- can liberate the imperceptible, aesthetic capability enveloping the paintings. She speculates that addressing the development at the point of rhythm presents us a glimpse into the nonhuman modalities of suggestion right to the electronic and hidden within the gaps among strict definitions (e.g., human/sonic/digital) and fake dichotomies (e.g., virtual/real). working on the margins of notion, the rhythmic paintings summons an vague area of sonic inspiration, which considers the development based on its strength to become.